Art Exhibit Critique Essay

Art Exhibit Critique Essay-53
Steiner (October 2007) Karen Whitman at the Woodstock Artists Association (Jan/Feb 2006) Franz Heigemeir at the Woodstock Artists Association (July, 2005) Keith Gunderson and John Varriano at Mark Gruber Gallery (April, 2005) Burton Silverman: Recent Paintings at Henoch Gallery (Dec, 2004) Menahem Lewin at Roshkowska Gallery (Aug, 2004) Dion Yannatos at the Woodstock Artists Association (Mar, 2004 RJS) Yale Epstein & Jolyon Hofsted at the Watermark / Cargo Gallery (Nov, 2003 RJS) Eric Aho at the Tremaine (May, 2003 RJS) Adam Straus at Nohra Haime Gallery (Apr, 2003 RJS) Susan Fogel Morris (Sept, 2000 RJS) Nancy Catandella at R & F (Apr, 2002 RJS) Hong Nian Zhang at the Fletcher Gallery (September 1998) Return to Top REVIEWS Balthus & Chagall: Beyond the Surface of the Canvas: Two Painters of the Interior Kathleen Arffmann(Winter 2013) The Carnegie International 2013 is Pittsburgh’s serious look at what’s happening in the world of contemporary art James C.

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Steiner Subverting the Separate Spheres © Rena Tobey(Fall 2015) The Habsburghs: A New Fashion on the Art and Culture Scene?

Eva Jana Siroka August 2015 online Critique of Kari Feuer exhibit at The Bestsy Jacaruso Gallery, Rhinebeck Raymond J.

Steiner (Jan/ Feb 2011) Marlene Wiedenbaum at The Bruynswick Art Studio & Gallery Raymond J. Steiner (January/February 2009) Doris Downes at Ward Pound Ridge (Jul/Aug 2008) Sylvia Weinberg at Reservoir Inn Raymond J.

Steiner (May 2008) Barbara Green at Lotus Fine Art by Raymond J.

The focal point of the painting was the little girl in red and it catches your eye right away. My family has always said I was born in the wrong time period, because I'm so interested in the clothes, cars, and everything else from past time periods.

Art Exhibit Critique Essay Holding Company Business Plan Template

I think it was very important for the artist to put the car behind the little girl in the painting, because it gives more to the picture.Steiner(Spring 2013) Thoughts on Creation Elizabeth Strong-Cuevas (Spring 2013) Bridge Art Serves as Bridge to Community Joan Vos Mac Donald (Spring 2013) Landscape Painting: Studio or Raymond J. A.( June online 2011) The Prismatic Palette Leslie Watkins (May/ June 2012) Joan Miró : The Constellations by Ina Cole (May/ June 2011) Pablo Picasso: The Development of a Peace Symbol by Ina Cole (May/ June 2010) 52 on 57th: Essay about Galleries on 57th Street, NYC and Gallery night. Steiner (May/ June 2010) Michelangelo and Mapplethorpe by Amanda Ruggeri (online Jan/Feb 2010) “An American View: Art on Long Island” by Ginger Lee Hendler (Nov/ Dec 2009) Angst, Politics, & Art Appreciation By Ginger Lee Hendler (Sept/ Oct 2009) F. Marinetti: The Revolutionary Mentor By Ina Cole (July Aug 2009) What is Art and When is it Craft?Steiner (January/ February 2013) “Japanese Touch; at Mohonk Arts” By Hanna M. By Ginger Lee Hendler (July Aug 2009) Musings on Art Around Long Island: Serendipity, Synchronicity, and Slobodkina By Ginger Lee Hendler (April 2009) The Circus in Modern Art By Ina Cole (November 2008) The Welsh Prints of Stuart Evans by Henry Hughes ( The Fragrance of Eternity By Meriel Hoare (Oct '06) James Turrell: Pathway to the Sky by Ina Cole (Oct.Place Visited: Collin County Community College Arts Gallery Title: Plano, Past Artist: Janee Reeder Method: Painting Medium/Media: Acrylic The two most dominant visual elements of design in this piece are line and color. This piece has a mixture of both, actual and implied line, and contour and gesture line. It is able to create different moods and feelings with minimal effort.Stewart (Aug, 2003) Barbara Hepworth Ina Cole (Mar, 2003 ) Kölnmesse (Art Cologne) 2003 (Dec, 2003 RJS) Art and Religion RJS (Oct, 2002) Chen Chi Art Museum RJS (May, 1999) CRITIQUES Max Ginsburg at the Salmagundi Club Raymond J.Steiner (Sept/ Oct 2011) Eva van Rijn at Locust Grove in Poughkeepsie, NY (March 2011 online) k Jerry Pinkney at the Norman Rockwell Museum Raymond J. Steiner (March 2009) “Life” Sam Rein at Barrett Art Center By Raymond J.The colors give you more of the looking into the past feel, but ... ” 1960s Politics at the Art Institute of Chicago Gail Levin© 2018 (Nov.Color is actually a property of light, but very important to this piece.Usually in pieces set in the past you do not see color only black and white but in this piece you see vivid colors, with different hues, values, and intensity.


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