Creative Writing Poem

Creative Writing Poem-7
Two less traditional ways of structuring your line are accentual verse and syllabics.

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The other basic divide in poetry is between formal and free verse.

Formal poetry uses traditional verse forms for which the meter, stanza shapes and rhyme schemes have been laid down. Remember: not all formal poetry rhymes and just because something rhymes doesn’t mean it’s in a traditional form.

In this session, we’ll consider four basic elements of the poetry writing craft: There are two basic modes of poetry: lyric and narrative.

Roughly speaking, lyric poetry expresses the poet’s thoughts and feelings; while narrative poetry, of course, tells a story. They can mingle in a single poem, but the poem will usually lean more one way than the other.

Exercise 31: Below is Edwin Morgan’s poem ‘One Cigarette’ with all the line breaks taken out. The lines are irregular in length and there’s only one stanza. After you left, your cigarette glowed on in my ashtray and sent up a long thread of such quiet grey I smiled to wonder who would believe its signal of so much love. As the last spire trembles up, a sudden draught blows it winding into my face. You are here again, and I am drunk on your tobacco lips. After you’ve put your line breaks back in, look at the published poem. You can find some good advice and further exercises in Donny O’Rourke’s ‘Beginning to Write’ worksheet for the Scottish Poetry Library‘s poetry ideas box. There’s simply no substitute for reading widely in poetry.

What differences and similarities are there between your version and Morgan’s? You can start with anthologies, such as: But don’t stop at anthologies: when a poem catches your eye and ear, dig deeper and further into the poet’s work by reading their collections. Check out the Poetry Archive for recordings of established poets, Poet Casting for a mix of established and new poets, or Penn Sound for readings and discussion by post-war American poets.His poetry volume Tonguefire was published by Happen Stance Press in 2005. In the session on writing characters, Fiona asked whether you start stories off with character, plot or message.For poets, a question like that is irrelevant because poetry is about paying close attention to the language itself.The length of your line and where you break it are also crucial to the poem’s rhythm.Long lines tend to sound freer and prosier; short lines tend to sound more rhythmic.One of the dangers for any beginner poet is getting stuck in a rhythm you like and know you can write effectively, so it’s worth thinking about rhythm and meter a bit more. A foot consists of a certain number of stressed and unstressed syllables, also known as stresses and slacks.I’ll not go through all the different kinds of feet here, but they’re worth learning about.In this seventh installment of my creative writing course, poet Andrew Philip introduces us to the basics of how to write poems.Andrew has been part of Edinburgh’s Shore Poets since 2002. The previous instalments of this course have focused on fiction, though much of the advice is also relevant to poetry.Exercise 30: Write three tanka: one about an urban landscape you know well, one about the sea and one about a landscape you’ve never seen.I’m allowing you a maximum of two adjectives per tanka and no abstract words at all. The line is the focus of tension and release in poetry, and poets have all kinds of fun with line breaks.


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