The Monsters Are Due On Maple Street Essays

The Monsters Are Due On Maple Street Essays-86
The episode opens on a small street in a suburban community, in an unspecified location.With a flash of light and a roar, a large object passes overhead, which the residents of this community immediately assume must be a meteorite ().[12] Following the event, the neighborhood’s power is out and no mechanical devices work, cars included.The residents exit their homes and, in their shared confusion, begin to congregate outside.

The episode opens on a small street in a suburban community, in an unspecified location.With a flash of light and a roar, a large object passes overhead, which the residents of this community immediately assume must be a meteorite ().[12] Following the event, the neighborhood’s power is out and no mechanical devices work, cars included.The residents exit their homes and, in their shared confusion, begin to congregate outside.

Tags: Iving In Bahrain EssayLocke Hobbes EssayMe Talk Pretty One Day EssayEssay On SincerityEssays On Music In The Byzantine WorldPhd Thesis On OrientalismPersonal Essay Tips Common AppThe California Gold Rush EssaysFormat For Apa Research Paper

The enduring nature of the series’ fan base is evidenced by the fact that it has been revived twice, once in 1989 and once in 2002; the fact that reruns still air on a daily basis on the Syfy channel and elsewhere; and the fact that critic was immediately convinced that the program would stand out among its peers, “In the desultory field of filmed half-hour drama, …Mr.

Serling should not have much trouble in making his mark.”[2] Five years later, when Serling announced his departure from the world of television, the as the “disappearance of serious drama from television.”[3]Serling’s work is a fascinating subject of study not just as a popular and critically acclaimed cultural product, but also — and especially — as a horror series.

It is the Platonic image of American suburbia, and everyone is happy to be playing his or her part.

Serling emphasizes the notion that the episode’s tragedy will lie in the death of its domestic tranquility with the last line of his opening narration: “Maple Street — in the last calm and reflective moment — before the monsters came,” ().

Tommy claims to have read a science fiction story very similar to their current predicament, and he believes that aliens are responsible for the power outage, which they inflicted in order to ensure the residents stay on Maple Street.

Furthermore, the aliens of the story had sent scouts to infiltrate the community prior to invasion. “A mother and a father and two kids who looked just like humans, but they weren’t!The aliens comment upon how predictable the whole ordeal has been. A tree-lined little world of front porch gliders, barbecues, the laughter of children and the bell of an ice cream vendor,” ().One muses, “They pick the most dangerous enemy they can find, and it’s themselves. Through a number of key images and lines of dialogue, the episode presents its story as one not just of alien invasion, but also as one of domesticity corrupted by an outside force. By not giving a city or state, Serling is implying that this neighborhood could easily be in any suburban community across the country.Even though the real monsters end up being the suburbanites themselves, it is the interference of the aliens that effectively brings an end to their performance of domesticity.The devastation caused to their suburban scene is accentuated by parallel images of the street.This way of life was characterized by affluence, located in suburbia, and epitomized by white middle-class nuclear families.Increasing numbers of Americans gained access to this domestic ideal — but not everyone who aspired to it could achieve it.[6]Cultural historian Warren Susman similarly argues that by the midpoint of the twentieth century, the United States had succeeded beyond expectation in shaping itself to the utopian vision originally laid out by politicians and academics in the previous century.[7] By this point, Americans had already been using images of family life to represent their positive cultural values since the 1930’s, so it was only natural that they should use similar iconography to illustrate their perceived success: According to Susman, “In essence, one can represent the new affluent society collectively in the image of the happy suburban home.”[8] During the postwar era, the American family dwelling was seen simultaneously as a “bulwark against the dangers of the cold war”[9] and as the symbol of American capitalism’s triumph.The episode begins with a narration from Serling, describing the setting: “Maple Street, U. He is not attempting to portray any particular community, but rather the very idea of suburbia.The opening scene is indeed set against a backdrop of sounds that includes children laughing, cheerful music, and the ice cream man’s bell, creating an overall jovial atmosphere.This essay will consider what specific fears of contemporary American audiences the series identified and exploited in order to scare viewers. The time period during which was initially on the air was marked by many tensions.On the world stage, the United States and the Soviet Union vied for global influence, often with the possibility of thermonuclear war hanging in the balance.

SHOW COMMENTS

Comments The Monsters Are Due On Maple Street Essays

The Latest from mm40.ru ©